The First Horse …

Every horse in the world can be traced to a single mare that trotted the earth about 130,000 to 160,000 years ago, according to findings reported by Bloomberg News as published by US National Academy of Sciences.

The Cave Mare from "Eclipsed by Shadow"Ancestral Mother of All Horses Galloped 160,000 Years Ago

Today’s horses are descended from one ancestral mare according to findings reported by Bloomberg News as published by US National Academy of Sciences.

Every horse in the world can be traced to a single mare that trotted the earth about 130,000 to 160,000 years ago, scientists discovered for the first time.

The research identified 18 different genetic clusters that arose from the ancestral mare, suggesting that domestication occurred in many places across Europe and Asia, according to work published today in the Proceedings of the National Academy of Sciences.

The Academy’s proceedings did not immediately confirm whether the Ancestral Mare was the original Great Horse as detailed in the nearly-eponymous trilogy of same … or whether this discovery offers new proof of the story’s mysterious legend.
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Related Link:

» All modern horses trace back to single ancestor

Timeline of Horsemanship: Prehistory

>> see more Prehistoric Cave Horse images [Photobucket slideshow]

The earliest beginnings of mankind echo through artistry preserved on rock walls, giving silent testimony to the creative impulse inherent in mankind … and evidence that our fascination with the horse is older than history.

Eclipsed by Shadow excerpt from “Prey” (20,000 BC)

What if the dream—Meagan sat up quickly and stared at her surroundings. She was still in her nightgown, perched on a rocky cliff over an expanse of prairie grassland. An empty landscape spread before her, basking in late afternoon sun. This is strange, Meagan thought, swallowing. Solid rock walls rose on either side of her, marbled with green moss and snaking black fissures. Nothing manmade was in sight… >> read moresee all Excerpts

Eclipsed by Shadow is the 1st book of ‘The Legend of the Great Horse‘ trilogy, an award-winning adventure through history — on horseback!

Related Writing by John Allen Royce, Jr.
Relevant Links
Further Reading
THE CLAN OF THE CAVE BEAR by Jean M. Auel
Earth’s Children, Book One   [Fiction]

Historical Notes: Leaving the Prehistoric world behind …

In Eclipsed by Shadow, the first book of “The Legend of the Great Horse” trilogy, young Meagan Roberts takes the ride on a prehistoric wild horse … that’s just how things were between horses and humans 20,000 years ago.

In Eclipsed by Shadow, the first book of “The Legend of the Great Horse” trilogy, young Meagan Roberts takes the ride on a prehistoric wild horse. (excerpt of the scene)

According to fossilized bones and cave paintings, that’s just how things were between horses and humans 20,000 years ago.

Our clear understanding of the distant past remains shrouded by the passage of time, but there are two important facts we can know about prehistoric horses:

1) Horses have always been with us. Early man spent many thousands of years watching, stalking, hunting … and painting horses. The horse has been part of humanity’s story since the very beginning.

2) It took thousands of years for primitive humans to even begin to learn to use horses to assist in work. Man’s journey from the caves required a change in attitude to seek forms of cooperation, away from seeing horses as only a form of prey. This new outlook took an amazingly long time to happen, especially considering that it was so tangibly rewarded by a horse’s willingness to share his strength with mankind.

Perhaps we can’t know details about how mankind’s attitude toward horses shifted from meal to tamed beast — but the change is a case of old ways of thinking being replaced by new and better ideas. In this way, horsemanship is a living demonstration that cooperation brings new possibilities to human life and can open entire new worlds.
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Copyright © 2010  John Allen Royce, Jr.

The Road Slowly Traveled: the artist’s view

A scene in “Eclipsed by Shadow” involves a prehistoric horse hunt, with man as the predator. This hunting scene took place in the same era that prehistoric cave paintings were being created, art still visible to us in places like the amazing caves of Lascaux, France.  Even in prehistoric times we have Man the predator … and Man the artist.

Are these the same Man?

Much cave art is utilitarian and crude. Only a few “works” stand out … could it be some artists saw the horse differently — as something to be admired and approached for qualities beyond that of mere food?

If so, the artist’s path was not quickly taken:  mankind crouched and crept through his world for many thousands of years, scrounging a life as both predator and prey. Yet eventually, somehow, the idea of using horses for limited work prevailed, and later the concept of the horse as a partner opened possibilities unknown by our distant ancestors.

It would be hard to argue with the primitive hunter “in the moment.” There is clearly a meal on the hoof, it tastes good: an undefeatable argument. It was a limited, self-serving failure of an argument … but undefeatable at the time! The use of horses cannot happen if your fellow caveman simply kills them.

It mirrors the age-old problem of progress, of mankind bound by its own ignorance and short-term, “greedy” impulses. We have left the caves, but this basic conflict still echoes.

Still, there was a moment when a human didn’t kill a horse he was able to. People did begin to stop hunting/killing horses, and learned better ways of being.

The artists saw the horse as something other than quarry. Art can truly be a window into new reality.

Another outcome …

Strangely, even the best cave art discovered in North America is more crude and hunter-focused than that found in caves of Europe. Illustrated animals in cave art of North America are usually depicted being pierced by arrows.

Horses evolved in North America, but disappeared long before European settlers arrived … and evidence suggests equines may have been hunted to extinction by natives. If so, whether resisted by a more ‘artistic’ view or not, heedless hunting had its way.

Horse-using cultures outstripped others in the development of civilization — American natives were overrun by people who had benefited from their association with the horse. What difference might horse domestication have made to the cultures of the native American had the horse survived … if, perhaps, the artists had won?

There are too many generalizations to make a point, only a question…

Man and the Prehistoric Horse

The advancement of civilization has required many changes in attitude in mankind, perhaps none more revolutionary than the idea that horses might be our partners. The lesson of prehistoric horses is that our world has possibilities that exceed not our grasp … but our attitudes.

Eclipsed by Shadow begins the story of an accidental journey though history by a young horse-enthusiast named Meagan. The first place she goes (though unknown to her) is prehistoric times … where she finds a band of wild horses.

Evidence exists of man’s earliest relations with horses over 20,000 years ago and, though details of prehistoric times can be murky, something not in reasonable dispute is that prehistoric man hunted horses long before domesticating them.

Horses haven’t changed much since ‘caveman’ times; equines are an ancient species that retain their natural instincts. Cavemen could have harnessed the horses available … yet it took tens of thousands of years to even begin learning how to do so.

Taming horses required a strikingly new attitude, something quite beyond the ‘kill eat food’ pattern prehistoric humans lived by. Once early man did change its outlook on horses, a whole world of possibilities opened that were unimaginable before.

The lesson of prehistoric horses is that the world can have potential that exceeds not our grasp … so much as our attitudes.

How to Hunt a Horse

Sneaking around is the rule for horse-hunters… and it ain’t easy. As anyone who has spent time with horses knows, our silent partner is quite alert to potential lions in the flower-pots. The horse’s creed is “he who quickly runs away, lives to run another day,” and he instinctively knows his survival depends upon a good headstart.

Mostly, you don’t.  Horses are prey in the wild, but few predators dare confrontation with a healthy equine. You could call horses “extreme” prey.

stubbs, horse frightened by lion, 1770

The opening historical scene of Eclipsed by Shadow is set in prehistoric times, highlighting the earliest relationship between man and horse: hunter and hunted.

It was not our most enjoyable association, casting humans in the shabby role of trickster … and leaving the horses not too happy either.

The horse has few natural predators

Lions and wolf packs are the only major predators with horse on the menu, and they mostly avoid contact. As a horse’s kick can crush an adult lion’s skull — something we could call a ‘game-changer’ — the horse’s enemies remain on the lookout for immature, elderly or sick equines.

If hooves are the danger in horse-hunting, getting close to the animal is the difficulty. A horse may not have the sprinting take-off of a gazelle, but with a short headstart no predator on earth can catch him.

The horse’s anatomy is a balance between power and swiftness: his heavy body is balanced on thin, well-leveraged limbs that take a few strides to reach full speed but allow him to gallop for miles. The horse simply outclasses all predators at any real distance.

So sneaking around is the rule for horse-hunters … and it ain’t easy. As anyone who has spent time with horses knows, our silent partner is quite alert to potential lions in the flower-pots. The horse instinctively knows his survival depends upon a good headstart.
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Copyright © 2010  John Allen Royce, Jr.

Little Horse on the Prairie

The horse is prey and never forgets it: his motto is to ‘run away to live another day.’

The horse is prey and never forgets it: his motto is to ‘run away to live another day.’

Wild stallion Lazarus and part of his band in West Warm Springs HMA, OR | Bureau of Land Management, Office of Public Affairs / Wikimedia / Public DomainHorses are built for speed over distance, and with a good headstart he is safe from his natural predators.

The only hole in the equine’s survival program is the time it takes to reach top speed. To solve this problem horses come “fully-loaded” with highly advanced bio-technology to detect predators.

 

The Super-Human Horse

An equine’s sense of hearing and smell rivals that of a dog, with additions of swiveling ears and a canyon of a nose that sifts the wind with every breath. Their eyesight is much different than our own, featuring extreme motion-detection ability and a field of vision of almost 360 degrees, with only a few blank spots right behind and in front (which is why you never walk up behind a horse, and why jumping is such a challenge).

Equine abilities extend beyond the human experience. A horse’s legs serve as a sounding board to feel ground vibration, and can even recognize a person by their walk. Horses also have an amazing “photographic” memory and are able to see well at night.

Horses don’t see the world as humans see it

As you ride, the horse has mapped out the robin in the hedge 100 yards away, noted a freshly-painted mailbox and the spot where a dog barked seven years ago … even as feels the rumble of a distant train and responds to your cues.

We don’t share the outlook of horses, the same mind or same senses–we hardly share the same world. Yet somehow, implausibly, a close partnership was made … and is still kept.

Photo: Bureau of Land Management / Wikimedia / Public Domain

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Copyright © 2010  John Allen Royce, Jr.

The First (Great) Horse

“The Legend of the Great Horse” trilogy is a journey through history by a modern horse-rider. The story begins with a foal being born to a family with a horse-crazy youngster, Meagan. This horse carries Meagan on an adventure through history.

“The Legend of the Great Horse” trilogy is a journey through history by a modern horse-rider. The story begins with a foal being born to a family with a horse-crazy youngster, Meagan. This horse carries Meagan on an adventure through history.

The new foal, Promise, is actually a Great Horse of legend with the ability to travel back to its previous lives. A mishap occurs and a frightened Promise bolts with her young rider back into time, galloping far into the distant past and leaving Meagan alone with only her horsemanship skills to help her survive.

The first horse of history that Meagan encounters is a small wild broodmare in a band being hunted by humans circa 20,000 BC. The reader knows this, but Meagan must make her own discovery that she has gone back in time.

Now, the wild broodmare isn’t talking (other than time-travel, the story is realistic and fact-based). The mare connects with Meagan through its natural curiosity, an important if perhaps unexpected trait of the species. Meagan remembers her own grandfather’s opinion that horses were the “nosiest animal in Creation.” He called curiosity a fatal weakness of the species … well, that and a fondness for oats.

The fact that a large prey animal would be so naturally curious is part of the mystery of the equine soul, but it is something we share in common. An interesting note is that the horse Meagan meets is not very different in character from the horses she knows from her own modern experience some twenty thousand years later. Horses are a much older species than humans, and their instincts as prey animals still survive.

The independence of the “wild” spirit of horses meant that mankind was forced to adapt to the horse in order to obtain the animal’s strength and speed. It is our genius as humans that we can “see” things from another’s perspective, and it was this ability that made our close partnership with horses possible. In the case of horses, we have not changed them: they have changed us…

“On the Rocks” | Horses in Cave Art

This post begins a timeline to discuss the various eras traveled in “Eclipsed by Shadow,” and the rest of “The Legend of the Great Horse” trilogy. The first era is Pre-History.

Man’s long, colorful relationship with the horse is revealed in one of humanity’s oldest creative impulses: Art.  The equine image has adorned virtually every medium of artistic conception throughout history, from prehistoric caves and pottery to paintings, sculpture, music, and literature. Even in our modern automated age, horses have made the successful leap to electronic “new media” of teevee, film and video games.

From a historical perspective, it is fascinating to realize how much retained knowledge of our past is owed to art. The consciousness of a culture is embedded in the art it leaves behind, and artwork is painstakingly preserved for posterity. Horses have stirred human imagination since before recorded history, so art tells the story of horsemanship—and civilization—in a comprehensive visual thread.

The earliest art is the cave painting, and horses are a predominate theme. These prehistoric images give bright glimpses into the shadows of humankind’s veiled beginnings—surviving samples date back over 30,000 years. “Rock art” is famous for depictions of horses and other animals central to the world of primitive man, and some of the prehistoric images reveal genuine artistic quality. The purpose for these drawings is unknown, but various possibilities include the recording or transmission of information, religious ceremonies or superstitious “magical” rites. Whatever the explanation, cave art represent first rays of creative light peering out before the dawn of civilization.

Most cave paintings are crude, but there exist works that rise above mundane scratchings. The most sophisticated and “sublime” cave paintings transcend time, revealing an artistic spirit already intact in pre-historic man. It is as if art truly does touch upon some indefinable and ageless spark of the cosmos. As Pablo Picasso himself said upon viewing the famous Lascaux caves, “We have discovered nothing.”

Copyright © 2008 John Allen Royce, Jr.