“Eclipsed by Shadow” named a Finalist in ReaderViews 2009 Literary Awards

The first book of the historical fiction trilogy, “Eclipsed by Shadow” has been named a finalist in the annual Reader Views 2009 Literary Awards. The work by first-time author John Allen Royce was one of four finalists in the Fantasy category. The title was co-nominated for Historical Fiction and General Fiction.

The Reader Views annual literary awards honor writers who have their books published by a small press or independent book publisher. The awards are judged by a panel of independent judges, and the results will be announced by March 15, 2009.

“On the Rocks” | Horses in Cave Art

This post begins a timeline to discuss the various eras traveled in “Eclipsed by Shadow,” and the rest of “The Legend of the Great Horse” trilogy. The first era is Pre-History.

Man’s long, colorful relationship with the horse is revealed in one of humanity’s oldest creative impulses: Art.  The equine image has adorned virtually every medium of artistic conception throughout history, from prehistoric caves and pottery to paintings, sculpture, music, and literature. Even in our modern automated age, horses have made the successful leap to electronic “new media” of teevee, film and video games.

From a historical perspective, it is fascinating to realize how much retained knowledge of our past is owed to art. The consciousness of a culture is embedded in the art it leaves behind, and artwork is painstakingly preserved for posterity. Horses have stirred human imagination since before recorded history, so art tells the story of horsemanship—and civilization—in a comprehensive visual thread.

The earliest art is the cave painting, and horses are a predominate theme. These prehistoric images give bright glimpses into the shadows of humankind’s veiled beginnings—surviving samples date back over 30,000 years. “Rock art” is famous for depictions of horses and other animals central to the world of primitive man, and some of the prehistoric images reveal genuine artistic quality. The purpose for these drawings is unknown, but various possibilities include the recording or transmission of information, religious ceremonies or superstitious “magical” rites. Whatever the explanation, cave art represent first rays of creative light peering out before the dawn of civilization.

Most cave paintings are crude, but there exist works that rise above mundane scratchings. The most sophisticated and “sublime” cave paintings transcend time, revealing an artistic spirit already intact in pre-historic man. It is as if art truly does touch upon some indefinable and ageless spark of the cosmos. As Pablo Picasso himself said upon viewing the famous Lascaux caves, “We have discovered nothing.”

Copyright © 2008 John Allen Royce, Jr.

The Paradox of Horses in War

One thing you notice when researching historical fiction like “Eclipsed by Shadow” is how much human history is owed to the horse. Civilization advanced through adapting to the horse’s outlook.

Horsemanship is a civilized encounter with an alien mind. Horses are a “prey” species whose code is: “he who quickly runs away, lives to run another day.” The horse is perpetually alert, suspicious and ready to flee, and 6000 years of domestication have not changed this basic instinct.

The horse is an unlikely creature to ride into the chaos of battle, yet no animal so conjures the image of war. Horsemanship is one of mankind’s oldest and most perfected technologies, and the battlefield was its testing ground for thousands of years. It would seem an impossible feat to ask a timid, flighty animal to carry men into a smoking, stinking cacophony of fire and noise—yet that is exactly the result needed, and produced.

The Book of Job in Bible has a passage which relates this paradox.

“Hast thou given the horse strength?
Hast thou clothed his neck with thunder?
Canst thou make him afraid as a grasshopper?”

Of course the horse is only an instrument; war is an invention of man. Strangely, the speed and physical strength of the animal made him a formidable weapon, but the great challenge of horsemanship through the ages was how to get this four-legged weapon onto the battlefield at all. Anyone who has seen a horse “shy” or bolt in terror from a blowing leaf will understand the achievement of enlisting cooperation from what is essentially a saddled rabbit.

Skittishness in horses varies between individuals and isn’t completely explainable, as with Saki’s famous “Brogue,” a horse so named “in recognition of the fact that, once acquired, it was extremely difficult to get rid of.” According to the author’s description: “Motors and cycles he treated with tolerant disregard, but pigs, wheelbarrows, piles of stones by the roadside, perambulators in a village street, gates painted too aggressively white, and sometimes, but not always, the newer kind of beehives, turned him aside from his tracks in vivid imitation of the zigzag course of forked lightning.”

The secret of man’s partnership with the horse is trust. A wild band of equines operates through friendships and roles, and with proper instruction the trained horse learns to place his rider in the leadership position. This trust must be earned through the process of schooling, and can easily be lost, but it is one of the miracles of riding that only through an exchange of trust can the incredible potential of a horse’s ability be unlocked.

Show Jumping has a story to tell

I recently watched the live video feeds from two major international jumping events, The Syracuse Invitational and the Royal Winter Fair in Toronto. The horses look great, the riders are skilled, the competition level is high and humane. Both are well-run by innovative management.

The only lack was in the Announcing. Show jumping is like a storybook with pictures: it must be narrated. The story needs to be told.

Those who already love the sport will forgive transgressions against their spectator interests, but that is no reason for complacency. The key to creating new fans is engaging them.

Entertaining spectators at a horse show is as easy as talking to them about horses. This is not “easy” at all, in reality, as it requires talent combined with professionalism and love for horses and the sport. However, it would be pay great dividends for the sport to develop just such talent.