edit – THE LEGEND OF THE GREAT HORSE trilogy

The Road Slowly Traveled: the artist’s view

A scene in “Eclipsed by Shadow” involves a prehistoric horse hunt, with man as the predator. This hunting scene took place in the same era that prehistoric cave paintings were being created, art still visible to us in places like the amazing caves of Lascaux, France. Even in prehistoric times we have Man the predator … and Man the artist.

Are these the same Man?

Much cave art is utilitarian and crude. Only a few “works” stand out … could it be some artists saw the horse differently — as something to be admired and approached for qualities beyond that of mere food?

If so, the artist’s path was not quickly taken: mankind crouched and crept through his world for many thousands of years, scrounging a life as both predator and prey. Yet eventually, somehow, the idea of using horses for limited work prevailed, and later the concept of the horse as a partner opened possibilities unknown by our distant ancestors.

It would be hard to argue with the primitive hunter “in the moment.” There is clearly a meal on the hoof, it tastes good: an undefeatable argument. It was a limited, self-serving failure of an argument … but undefeatable at the time! The use of horses cannot happen if your fellow caveman simply kills them.

It mirrors the age-old problem of progress, of mankind bound by its own ignorance and short-term, “greedy” impulses. We have left the caves, but this basic conflict still echoes.

Still, there was a moment when a human didn’t kill a horse he was able to. People did begin to stop hunting/killing horses, and learned better ways of being.

The artists saw the horse as something other than quarry. Art can truly be a window into new reality.

Another outcome …

Strangely, even the best cave art discovered in North America is more crude and hunter-focused than that found in caves of Europe. Illustrated animals in cave art of North America are usually depicted being pierced by arrows.

Horses evolved in North America, but disappeared long before European settlers arrived … and evidence suggests equines may have been hunted to extinction by natives. If so, whether resisted by a more ‘artistic’ view or not, heedless hunting had its way.

Horse-using cultures outstripped others in the development of civilization — American natives were overrun by people who had benefited from their association with the horse. What difference might horse domestication have made to the cultures of the native American had the horse survived … if, perhaps, the artists had won?

There are too many generalizations to make a point, only a question…

Horses and the Dark Ages of Man

Horses may have pulled and carried humanity up the long ascent from primitive cultures, but it wasn’t a straight line. Human societies have been subject to cycles of falling away from civilized life.

“Dark age” describes the lack of historical records from these periods, such as during the Bronze Age collapse about 1200 BC, which ended the Mycenaean culture and extinguished literacy for several centuries.

The most recent “dark age” of Western culture was the approximately 1000 years after the collapse of ancient Rome, or the Middle Ages. The wonders of ancient Rome included heated public Baths, running water and vast entertainments — the Middle Ages were marked with mud roads, illiteracy, poverty and disease.

What does this have to do with horses?

Horsemanship has been a slow road of progress from brutal subjugation to humane partnership. Understanding the horse, an excitable prey animal, has been a major exercise in empathy for human culture.

A new idea of riding was discovered by the ancient Greeks we now call dressage, which emphasizes the cooperation of the horse rather than forced submission. Dressage develops a harmonious partnership with the horse and provides greater control, balance and athleticism.

This civilized form of riding was lost during the Middle Ages; as humans reverted to illiteracy and brutality their riding became brutal as well.

It’s interesting to note that dressage was one of the earliest classical arts to be reborn in the European Renaissance. The return of humane horsemanship to the world coincided with the birth of the modern era in about the 17th century — not so long ago.

In a sense, good horsemanship is a celebration of empathy, and perhaps a barometer of its presence. Our relationship with the horse started before recorded history, but the goal of humane partnership as practiced today is only a few centuries old!

The First (Great) Horse

“The Legend of the Great Horse” trilogy is a journey through history by a modern horse-rider. The story begins with a foal being born to a family with a horse-crazy youngster, Meagan. This horse carries Meagan on an adventure through history.

The new foal, Promise, is actually a Great Horse of legend with the ability to travel back to its previous lives. A mishap occurs and a frightened Promise bolts with her young rider back into time, galloping far into the distant past and leaving Meagan alone with only her horsemanship skills to help her survive.

The first horse of history that Meagan encounters is a small wild broodmare in a band being hunted by humans circa 20,000 BC. The reader knows this, but Meagan must make her own discovery that she has gone back in time.

Now, the wild broodmare isn’t talking (other than time-travel, the story is realistic and fact-based). The mare connects with Meagan through its natural curiosity, an important if perhaps unexpected trait of the species. Meagan remembers her own grandfather’s opinion that horses were the “nosiest animal in Creation.” He called curiosity a fatal weakness of the species … well, that and a fondness for oats.

The fact that a large prey animal would be so naturally curious is part of the mystery of the equine soul, but it is something we share in common. An interesting note is that the horse Meagan meets is not very different in character from the horses she knows from her own modern experience some twenty thousand years later. Horses are a much older species than humans, and their instincts as prey animals still survive.

The independence of the “wild” spirit of horses meant that mankind was forced to adapt to the horse in order to obtain the animal’s strength and speed. It is our genius as humans that we can “see” things from another’s perspective, and it was this ability that made our close partnership with horses possible. In the case of horses, we have not changed them: they have changed us…