history – Page 8 – THE LEGEND OF THE GREAT HORSE trilogy

Heartland Reviews: 5 Hearts to “Eclipsed by Shadow”

This fascinating YA first book of a trilogy on the history of man’s relationships with the horse is particularly well done … teaches not only the history of Man’s relationship with the horse, but the history and day to day cultures of different civilizations of the past.—Bob Spear, Heartland Reviews

Bob Spear of Heartland Reviews gave Eclipsed by Shadow the book’s first pre-publication review by the publishing industry, which led to the honor of Eclipsed by Shadow being named a GRREAT Read (Gifted & Reluctant Readers Explore Amazing Titles):

Bob Spear | Heartland Reviews

This fascinating YA first book of a trilogy on the history of man’s relationships with the horse is particularly well done.

Meagan, a young teenager, witnesses the arrival of a new colt she names Promise. She enjoys socializing the colt and caring for him until it’s time for him to grow up with other colts. Several years later, the now young adult horse returns to Meagan’s horse farm to begin saddle training. Unfortunately, a crooked horse trainer is out to steal Promise. Meagan stumbles on the plot and manages to leap onto Promises back and jumps a fence in order to escape. Suddenly Promise sprouts wings and carries Meagan back in time to caveman times. Meagan falls off, only to find herself in the middle of a caveman horse hunt for fresh food. After a short time there, she jumps on another horse and finds herself as a slave in Rome , and then she moves forward to ride with the Mongols. After more hard times, she moves forward in time to the times of the Crusades, where the book ends with the reader anxious to know what is next.

This series teaches not only the history of Man’s relationship with the horse, but the history and day to day cultures of different civilizations of the past. We rated this first book five hearts.

2010 NOTE: Heartland Reviews ended their (free) objective reviews with an announcement stating this reason:

“If the mainstream reviewers such as Kirkus, Foreword Magazine, and Bowker feel comfortable in charging for their reviews, I just can’t justify providing a free service any more. Over the past six years, I have read and written reviews for almost 2,000 books, at a great personal sacrifice for my family and me.”

Thank you, Mr. Spear, and best wishes for the future!

Eclipsed by Shadow is the first book of the new fiction trilogy, The Legend of the Great Horse, arriving this Summer with a fresh and original look at the colorful role of horses in civilization. The story follows the time-travel adventure of a modern horsewoman lost in history.

Further information about this unique and imaginative ‘creative non-fiction’ novel can be found at TheGreatHorse.com.

“On the Rocks” | Horses in Cave Art

This post begins a timeline to discuss the various eras traveled in “Eclipsed by Shadow,” and the rest of “The Legend of the Great Horse” trilogy. The first era is Pre-History.

Man’s long, colorful relationship with the horse is revealed in one of humanity’s oldest creative impulses: Art. The equine image has adorned virtually every medium of artistic conception throughout history, from prehistoric caves and pottery to paintings, sculpture, music, and literature. Even in our modern automated age, horses have made the successful leap to electronic “new media” of teevee, film and video games.

From a historical perspective, it is fascinating to realize how much retained knowledge of our past is owed to art. The consciousness of a culture is embedded in the art it leaves behind, and artwork is painstakingly preserved for posterity. Horses have stirred human imagination since before recorded history, so art tells the story of horsemanship—and civilization—in a comprehensive visual thread.

The earliest art is the cave painting, and horses are a predominate theme. These prehistoric images give bright glimpses into the shadows of humankind’s veiled beginnings—surviving samples date back over 30,000 years. “Rock art” is famous for depictions of horses and other animals central to the world of primitive man, and some of the prehistoric images reveal genuine artistic quality. The purpose for these drawings is unknown, but various possibilities include the recording or transmission of information, religious ceremonies or superstitious “magical” rites. Whatever the explanation, cave art represent first rays of creative light peering out before the dawn of civilization.

Most cave paintings are crude, but there exist works that rise above mundane scratchings. The most sophisticated and “sublime” cave paintings transcend time, revealing an artistic spirit already intact in pre-historic man. It is as if art truly does touch upon some indefinable and ageless spark of the cosmos. As Pablo Picasso himself said upon viewing the famous Lascaux caves, “We have discovered nothing.”

The Paradox of Horses in War

One thing you notice when researching historical fiction like “Eclipsed by Shadow” is how much human history is owed to the horse. Civilization advanced through adapting to the horse’s outlook.

Horsemanship is a civilized encounter with an alien mind. Horses are a “prey” species whose code is: “he who quickly runs away, lives to run another day.” The horse is perpetually alert, suspicious and ready to flee, and 6000 years of domestication have not changed this basic instinct.

The horse is an unlikely creature to ride into the chaos of battle, yet no animal so conjures the image of war. Horsemanship is one of mankind’s oldest and most perfected technologies, and the battlefield was its testing ground for thousands of years. It would seem an impossible feat to ask a timid, flighty animal to carry men into a smoking, stinking cacophony of fire and noise—yet that is exactly the result needed, and produced.

The Book of Job in Bible has a passage which relates this paradox.

“Hast thou given the horse strength?
Hast thou clothed his neck with thunder?
Canst thou make him afraid as a grasshopper?”

Of course the horse is only an instrument; war is an invention of man. Strangely, the speed and physical strength of the animal made him a formidable weapon, but the great challenge of horsemanship through the ages was how to get this four-legged weapon onto the battlefield at all. Anyone who has seen a horse “shy” or bolt in terror from a blowing leaf will understand the achievement of enlisting cooperation from what is essentially a saddled rabbit.

Skittishness in horses varies between individuals and isn’t completely explainable, as with Saki’s famous “Brogue,” a horse so named “in recognition of the fact that, once acquired, it was extremely difficult to get rid of.” According to the author’s description: “Motors and cycles he treated with tolerant disregard, but pigs, wheelbarrows, piles of stones by the roadside, perambulators in a village street, gates painted too aggressively white, and sometimes, but not always, the newer kind of beehives, turned him aside from his tracks in vivid imitation of the zigzag course of forked lightning.”

The secret of man’s partnership with the horse is trust. A wild band of equines operates through friendships and roles, and with proper instruction the trained horse learns to place his rider in the leadership position. This trust must be earned through the process of schooling, and can easily be lost, but it is one of the miracles of riding that only through an exchange of trust can the incredible potential of a horse’s ability be unlocked.

Targa the Mongolian Warpony

Eclipsed by Shadow, is the first volume of the new trilogy adventure, “The Legend of the Great Horse,” which begins a journey that traces the history of horsemanship. In the story, the heroine, Meagan Roberts, is taken back through time by her horse, Promise. Meagan must survive humanity’s brutal past armed only with her knowledge of advanced horsemanship of the 21st century.

One of the interesting things about our relationship with horses is how slowly it developed. For many millennia mankind struggled with “conquering” the horse, when in reality simple humane treatment and empathy was the path to tapping into the equine potential. Today’s sensibly schooled horses could literally canter circles around primitive man’s poorly “broken” and brutalized mounts.

In the story, Meagan is dropped off in various time periods and must fend for herself. One such era is during Europe’s Dark or Middle Ages, when the enlightened horsemanship of Greek antiquity has been forgotten and brutality was again the norm of the day.

“Mongolian Steppe” by David Edwards | National Geographic

It was in this era that Mongolian nomads burst from their ancestral homes on the Asian plains to pillage and ransack from Russia to Poland, throughout India and the Middle East. Meagan lands amidst the united armies of Genghis Khan and is given a Mongolian warhorse mare she names Targa.

The mare is typical of her breed: stocky, short-legged and pony-sized. Meagan succeeds through empathizing with the mare and employing modern riding techniques that provide strong yet humane guidance. Their association grows into a real horse-rider partnership.

Targa illustrates how unchanged the horse’s nature is after many millennia of human “domestication.” Horses are simply too old a species to have become more than superficially adapted to mankind’s demands. Targa responds to Meagan’s enlightened empathy as horses do today; horses of primitive man would have done the same if given the opportunity.

The rampaging Mongolians cherished their horses, and their horses responded. This responsive cooperation with their riders led to wiping out alien societies, but there was no malice in the Mongolian warponies. Despite talk of the military “genius” of Genghis Khan, had Western society remembered their enlightened horsemanship instead of traveling down the path of war and brutality, they likely would not have been overrun by the superior skill of their Asian raiders.

There are many lessons in history, but one of the foremost is how spectacular are the results of empathy and harmony.